Earlier this year I had the chance to work on 10 Cloverfield lane, on this horrifying matte painting and composite. Many image-searches for road kill have scarred my mind! As always it was a pleasure to work with Dan Trachtenberg.
Hi Andrew, I really love all your inspirational work and have learned so much from your tutorials however this is not for me. Sorry...
Daniel
10 years ago
Really? Well, I find it so inspirational. Keep in mind that you too, as a compositor, could be asked to do whathever, including gore stuff
SPARTACUS
10 years ago
Fair point Daniel. I don?t disagree however I simply don?t like this and hope that this is not the direction that VC will be going down in the future.
xantos
10 years ago
I am blown away by the details, Usually I can breakdown scenes just by looking at them, and seeing how they were composited in my mind, but this.. If you didn't say it was CGI, I would never known the amount of detail is just so amazing. I would love if you could show a bit of breakdown.
Daniel
10 years ago
Wow! I wonder what was done specifically with Photoshop (I guess), and what with After Effects? A bit of breakdown would be so interesting!
I was way more scarred by John Goodman twerking...
Gismoxan
10 years ago
Great as always. Please Sir Andrew . can you do tutorial for how to do landing with explosion effect on Super Hero Landing show . pleaseeeeeeeeeeeeeeeeeeeeeee
Brett Pearce
10 years ago
Ummm.... NICE!!
Simon Thorley
10 years ago
Great film that Andrew, what's not to like about Walter - shit, that's Goodwin in The Big Lebowski
Using various roto and split-screen effects we transformed a two-man SWAT team into a full squad for this demo scene. Sam Loya reprises his role as the "guy who probably gets killed", in this exciting industrial saga.
The main goal of this scene was to film everything as if we had a dozen guys instead of just two. Don't just shoot things that will be easy to composite later, push the limits and make the scene more dynamic.
Stay-tuned for tips on using the new Roto-Brush in AE CS5 as well as other split-screen and masking solutions that can be achieved in all versions of After Effects.
Watch Scene