Alright, so decided to record this quick tutorial on using multiple strokes to build high-impact graphics in After Effects. This relatively simple trick is a great way to make your titles pop and stand out. All of the strokes are dynamic so if you change the font or text, the graphics will update automatically. We also use the Vegas effect to add dotted lines and even Vegas lights. This is a lot of versatility in this technique so get creative!
PS: Some might be wondering why I made this a tutorial and the Tron Title was just a short overview… well the answer is simple. Most of the techniques in the Tron project are specific to creating that one look, where as this technique is more generic and can be used in a variety of ways to create many unique graphics.
Holy Monday batman! I decided to release the Tron-Pilot Project file created in After Effects with a short video walk-through. I talk about creating the 3D text and building a few expressions. It doesn’t demonstrate every little detail but it should be enough to help you through the project file. For the background blur, try using a photo of a city with the After Effects lens blur.
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Video Copilot is searching for an awesome programmer to help build new amazing tools. We are looking for a skilled C++ programmer with at least 3 years experience and should be well versed with Open Gl as well as 3D and video software. We also use the current After Effects SDK.
Ideal candidate should be organized, work well in teams and possess great communication skills. This is a remote position, but a fast internet connection is required along with Skype account and microphone.
Use the subject “Programmer Position” and email resume and related experience to email@example.com
May the force be with you. I mean, follow the white rabbit.
I’m brewing up a new motion graphics tutorial that features a super-zoom from the inside of this galaxy ball left over from the movie Men in Black or somewhere. It’s got some interesting tips for creating energy unlike anything we have done before, plus all effects done inside of After Effects. Stay tuned!
Wow, I just found this great article at FX Guide on the state of 2D-S3D conversions. The articles points out some interesting facts about the necessity of this process, even for movies shot in stereo because certain shots can’t be done physically. It also points out how the tech has improved and the different tools and methods.
One thing is clear, there is no magic software for converting and rotoscoping is essential.
Using various roto and split-screen effects we transformed a two-man SWAT team into a full squad for this demo scene. Sam Loya reprises his role as the “guy who probably gets killed”, in this exciting industrial saga. The main goal of this scene was to film everything as if we had a dozen guys instead […]