One of the primary techniques in the recent Light Casting tutorial is the ability to add multiple lights in your scene. These additional lights will automatically interact with the surface based on intensity, distance and color so you can worry about more important things like building robots.
In this jam-packed tutorial we will build an energy ball that emits natural light onto the road’s surface. Plus, we will be utilizing ‘reverse-tracking’ to lock the 3D effects in-place, while maintaining the original camera movement in the exciting final shot.
Today and tomorrow are the last two days to receive free shipping on the 2K version of our new stock footage collection, Action Essentials 2. Of course the 720p version is still available at the great low-price of $99.95 so be sure to show your support by using it to blow something up
PS: We have all new discs and every package goes out within 24 hours!
OK, I like making “cool” effects like this energy ball but the real challenge is finding a technique that goes beyond building a single effect.
In this example, the street is generating a specular gloss from the light source that is uneven based on the surface. This makes the effect seem more realistic and blends with the road naturally. I used a similar technique in the VFX breakdown example for Action Essentials 2 in order to create the glow on the ground caused by the explosion.
As promised here are some shots from my trip to NYC. The weather was great all day on Saturday and so was dinner. I shot everything with the Sony EX-1 on a tripod as well as some hand-held stuff. I used Premiere CS4, even though it would hang during editing and crash occasionally. I’m sure they will work it out. Please?
Back on subject, the clip contains a variety of shots, as well as some tracking shots taken from the back of a bycylce carriage. Now I just need to intercut some cops and a district attorney then add some 80’s music and I could have a hit TV show. Then I could stop all of the crime.
I made a last minute trip to NYC on Friday and spent today filming all over the city with a Sony EX1 for fun. Pretty cool camera and the interval (time-lapse) mode is incredible too, very easy and the results are great. When I get back on Monday, I’ll post some of the footage.
If anyone at Sony is reading, feel free to send me some free stuff Thanks in advance.
Using various roto and split-screen effects we transformed a two-man SWAT team into a full squad for this demo scene. Sam Loya reprises his role as the “guy who probably gets killed”, in this exciting industrial saga. The main goal of this scene was to film everything as if we had a dozen guys instead […]