Comments on: Production Shots

By: LGFN

LGFN — Wed, 11 Nov 2009 00:53:04 +0000

Is there a finished product? Or is the whole video canceled?

By: ahm

ahm — Tue, 27 Oct 2009 16:51:41 +0000

hahaha first time i saw the comments like ‘damn you have a RED’ I thought everybody was talking about the girl with red hair lol

By: Tom

Tom — Wed, 15 Apr 2009 10:22:49 +0000

Would love to see the finished product! Video Production London

By: Dony

Dony — Fri, 27 Feb 2009 22:12:10 +0000

glad to see andrew in the pic .. man i always wondered whos this guy giving top class pro tutorials for free and with gr8 sense of humor… dude u rock … wish we will someday work on some project together .. regards

By: RamyG

RamyG — Thu, 22 Jan 2009 09:14:06 +0000

Hey Andrew,
You’ve used a Mac on this since Pro Res only exists in Mac. Am I right?
I would really find it useful if you explained what you did how you shot it on this blog. Like keeping us posted with the details of how you down-converted the footage and how did AE handle the Pro Res Footage.
Also if you’re working on a mac, I’ve noticed that in the bonus of the Evolution DVD you are doing a demo in Motion. Is it possible that you do other Tutorials on Motion? All the other stuff that’s there sucks compared to your teaching style.
I’ve learned compositing purely from your website and DVD’s. So thank you for sharing the knowledge.

By: Jeff

Jeff — Thu, 15 Jan 2009 02:26:48 +0000

I have a question about the workflow you guys were using. Why use quickitme files for the comp work? I’ve been involved in a few RED jobs, and we always transcoded to DPX or Cineon files for the composites, then rendered out the same for the colorist. You’re kinda locked in with the quickitme files, not to mention the gamma shift problems with prores and final cut.

Working with the RED is nice, and the keys are 100 times better (when lit well) than DVC-PRO or any compressed video source for that matter. I agree with the earlier post that it really would be nice to get the curve data for the LUT from RedCine to AE, or even some kind of hack, just so we all know what the true look is supposed to be with the R3D files.

Maybe you can expand on the workflow you used in another post sometime?

Thanks,
Jeff

By: Henry

Henry — Thu, 15 Jan 2009 01:27:59 +0000

HI Andrew.
my name is Henry. sorry because my bad english.
I have a good time for After effects education.
very expensive…

By: Dan

Dan — Thu, 15 Jan 2009 00:19:02 +0000

…I feel so stupid…but what’s a RED? -_- I know it’s a camera, but what’s it’s features? Why is it so special?