In this new tutorial we will be creating some powerful energy using the AE built-in particle system. With a little work and some patience you might be able to create something this cool.
The project file contains the tutorial files as well as my original comp at HD resolution for anyone that wants to see exactly what I did.
Storyboards don’t have to be extremely-detailed but when you are pitching an idea to a client, it helps. The most important thing is to understand where the animation is and to solve technical problems before you run into them. I like to draw arrows and show the movement of the camera and action which helps save time in After Effects because I know what I’m trying to do. Then I can focus on being creative. Also when working with others they know what to expect and it’s easier to collaborate.
- Present your idea, high-quality stuff may get you THE job
- Plan your animation before starting to keep you on track
- Solve technical problems, rather than waiting til you hit one
- Save time if the concept is rejected…
I’ve been busy all week working on some projects, I can’t really talk about it but… I’m almost done, and that’s good news.
There are several interesting ways to create “3D” text in After Effects just search for 3D text in After Effects and you will find some crafty solutions. Of course a dedicated 3D program is better but not everyone has access to one.
With all of these creative methods, somehow the aesthetics of the imagery was traded for that fact that it was 3D. In this soon to be Shortcuts Episode I’ll take a look at creating 3D looking text in After Effects that is only 2 dimensional but has many possibilities. The moral being… no matter which method you use, don’t forget to make it look cool too, that is the most important thing. Unless you are in a contest for worst video ever; in which case you can disregard.
Using mp4 or h.264 when compressing through QuickTime can make the final video look washed out. This is a common problem that seemed to have no solution… until now. The gamma shift can actually be fixed inside QuickTime Pro without re-compressing your video by simply changing a few settings.
Scrimski at CGtalk.com posted a good walk-through. Thanks!
SOLUTION: After rendering into a QuickTime/h.264 file, open it up in QuickTime and select “Show Movie Properties.” Highlight the video track then click on the “Visual Settings” tab. Towards the bottom left you should see “Transparency” with a drop-down box next to it. Select “Blend” from the menu then move the “Transparency Level” slider to 100%. Choose “Straight Alpha” from the same drop-down and close the properties window and finally “Save.”
See the difference on our Promos:
Download and follow the steps for yourself.
In a few weeks many videos will be updated to the correct gamma but I though I would pass along this great tip.
I’m happy to say I spent part of my Father’s Day designing some energy inside of After Effects without using Particular and only the built-in tools.
This effect is easily scalable for creating small energy fields for a single human arriving from the future or a very large army of robots in disguise. I should be recording a tutorial very soon, so keep an eye out for it.
If you need something to do until judgment day, be sure to check out our Great Online Store we have lots of impressive DVDs for you, that won’t malfunction and try to kill you.
Well, it’s been quiet around here… a little too quiet if you know what I mean. On July 20th, a little after Video Copilot’s 3 year anniversary, a new version of the website will be launched. Some new features, a new layout and better integration are just some of the new things we have been working on. I’ll keep you posted and now that I have the main design work done you should see a little more going on around here in the mean time. Maybe a new tutorial even…
I’ve uploaded the footage and sound FX for the latest Car Hit Tutorial. Of course, I encourage everyone to go out and film your own scene, it’s a lot of fun. Of course, you do it without a greenscreen, you just have to do more rotoscoping around the entire person. I’ve done plenty of rotoscoping in my day and I decided to use the green.
We are still contacting the winners, the results should be in soon. We will announce the winners and the reasons we chose them very soon.
In this new tutorial you will learn the compositing tricks behind this car hit scene including simulated vehicle damage, keying tricks, fun rotoscoping and even the puppet tool. Be sure to stay tuned for a pointless video I made at the end
Project file and footage will be online tomorrow.
Be sure to checkout some of our great products and help keep these tutorials coming. We appreciate the support and promise to keep making exciting new episodes. This new tutorial clocks in at 35 mintues long… I think that is a new record.